I have thus appointed Kyoso Shigetoshi-Shihan as our tradition’s successor to Otake Risuke-Shihan. Kyoso-Shihan has now begun taking steps to correctly transmit Katori Shinto-ryu to the next generation. In closing, I would like to express my support and encouragement for Kyoso Shigetoshi-Shihan’s establishment of this website as a new activity to maintain our traditions and correctly transmit Katori Shinto-ryu. Iizasa Yasusada-Sensei 20th Generation Headmaster, Tenshinsho-den Katori Shinto-ryu President, Nihon Kobudo Shinkokai (Classical Martial Arts Promotion Association).
Katori Shinto Ryu Dojo training hall in city, Iizasa Ienao (飯篠 長威斎 家直 Iizasa Chōi-sai Ienao, c.1387 – c.1488) was a respected and whose was deposed, encouraging him to relinquish control of his household to conduct purification rituals and study martial arts in isolation. Iizasa was born in the village of Iizasa in.
When he was young, he moved to the vicinity of the famous Katori Shrine, a venerable institution northeast of Tokyo in modern-day Chiba Prefecture. The Katori Shrine enjoys a considerable martial reputation; the Shrine's, 経津主神 ( Futsunushi no kami) being revered as a spirit of swordsmanship and martial arts. After studying swordsmanship he went to Kyoto, where, according to most authorities, he was employed in his youth by the eighth, (1436–1490), a devotee of the martial arts. Iizasa was later known as Yamashiro no Kami (governor of ) in accordance with a practice of Muromachi times, whereby noted warriors took old court titles. Honda cb 1300 for sale.
Later on in his life, Iizasa became a Buddhist lay monk and was known as Chōi-sai, sai being a character that many noted swordsmen chose for their sword name. When Chōi-sai returned home, he offered prayers to the deities of both Katori Shrine and, the latter being a famous local shrine in nearby, where shrine officials themselves reputedly practised a form of swordsmanship, called 'Hitotsu no Tachi' (the solitary sword). Even today the Kashima Shrine training hall attracts practitioners from around the world, and the chief object of interest for visitors is the shrine's sacred sword.
Supplementing his considerable skills with assorted weaponry, Chōi-sai was also an expert in Musō Jikiden ryū yawaragi, holding the position of seventh Headmaster in the history of that ryū. Legend says at the age of 60 Chōi-sai spent 1000 days in Katori Shrine practising martial techniques day and night, until the of the shrine, (経津), appeared to him in a dream and handed down the secrets of martial strategy in a scroll named Mokuroku Heiho no Shinsho. He called his swordsmanship style derived from this miraculous dream the Tenshin Shōden Katori Shintō-ryū, the 'Heavenly True, Correctly Transmitted Style of the Way of the God of Katori'. This legend is typical of martial arts Ryūha and other cultural forms as well.
Ryūha founders often attributed their mastery to magical teachings transmitted by Shinto or Buddhist deities, by long-dead historical figures like, or by legendary supernatural creatures such as the, Japanese commonly depicted with a long red nose. Iizasa's Tenshin Shōden Katori Shintō-ryū, thus presumably linked to the sacred tradition of both Katori and Kashima Shrines, was transmitted through his own family.
Watatani, Kiyoshi (1967). Zusetsu Kobudōshi, Tokyo. Sugino, Yoshio (2016). Tenshin Shoden Katori Shinto Ryu: Budo Kyohan, Ulf Rott. (PDF).
Archived from (PDF) on 21 October 2012. Retrieved 12 January 2014. CS1 maint: Archived copy as title. Otake, Risuke (2007). Katori Shinto-ryu: Warrior Tradition. Ōtake, Risuke (2007).
Katori Shinto-ryu: Warrior Tradition, Koryu Books. (A total revamp of The Deity and the Sword, combining all 3 volumes into one re-translated and edited book with additional material. However, with far fewer photographs per kata as compared to the original 3 volumes. Similarly, all the original English explanatory notes and guidelines relating to each of the kata have been removed.). Amdur, Ellis (2002).
Katori Shinto Ryu Manual Transmission
Old School: Essays on Japanese Martial Traditions, Edgework. Further reading. Amdur, Ellis (2002). Old School: Essays on Japanese Martial Traditions, Edgework, p. 21-45.
Draeger, Donn F. The Martial Arts and Ways of Japan series, 3 volumes. Friday, Karl F (1997). Legacies of the Sword, the Kashima-Shinryu and Samurai Martial Culture, University of Hawaii Press, p. 26 & 93,. Hall, David Avalon. Marishiten: Buddhism and the warrior Goddess, Ph.D.
Dissertation, Ann Arbor: University microfilms, p. 274-292. Hurst III, G. Cameron (1998). Armed Martial Arts of Japan, Swordsmanship and Archery, Yale University Press, p. 46-49 & 58,. Mol, Serge (2001). Classical Fighting Arts of Japan, A Complete Guide to Koryu JuJutsu, Kodansha International, p. 43 & 151,. Otake, Risuke (1977).
The Deity and the Sword - Katori Shinto-ryu Vol. 1, Japan, Japan Publications Trading Co.
(Original Japanese title for all three volumes in this series is Mukei Bunkazai Katori Shinto-ryu). Otake, Risuke (1977).
The Deity and the Sword - Katori Shinto-ryu Vol. 2, Japan, Japan Publications Trading Co. Otake, Risuke (1977).
The Deity and the Sword - Katori Shinto-ryu Vol. 3, Japan, Japan Publications Trading Co. Otake, Risuke (2016). Strategy and the Art of Peace: Tenshinshō-den Katori Shintō-ryū (English Edition). Nippon Budokan Foundation. Ratti, Oscar & Westbrook, Adele (1973).
Secrets of the Samurai, A Survey of the Martial Arts of Feudal Japan, Charles E. Skoss, Diane (editor) (1997).
Koryu Bujutsu, Classical Warrior Traditions of Japan, Koryu Books, vol 1,. Skoss, Diane (editor) (1999). Sword & Spirit, Classical Warrior Traditions of Japan, Koryu Books, vol 2, p. 67-69. Skoss, Diane (editor) (2002). Keiko Shokon, Classical Warrior Traditions of Japan, Koryu Books, vol 3,. Sugino, Yoshio & Ito, Kikue (1977). Tenshin Shoden Katori Shinto-ryu Budo Kyohan (A Textbook of Tenshin Shoden Katori Shinto-ryu Martial Training; originally published in 1941).
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Katori Shinto Ryu Dvd
Warner, Gordon & Draeger, Donn F. Japanese Swordsmanship: Technique And Practice, External links Wikimedia Commons has media related to.